{"id":221,"date":"2021-11-29T21:14:41","date_gmt":"2021-11-29T21:14:41","guid":{"rendered":"https:\/\/wp.csusm.edu\/cultureclash\/?page_id=221"},"modified":"2023-05-12T00:37:22","modified_gmt":"2023-05-12T00:37:22","slug":"biblography","status":"publish","type":"page","link":"https:\/\/wp.csusm.edu\/cultureclash\/biblography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

Bibliography<\/strong><\/p>\n

Primary Sources<\/strong><\/p>\n

Video\/Digital Recordings<\/strong><\/p>\n

Culture Clash, \u201cAmerican Border Gladiator\u201d Vimeo, 1993, 2:37 https:\/\/vimeo.com\/208542404.<\/p>\n

Culture Clash, \u201cBernando the Dinosaur,\u201d Vimeo, 1993, 45:53 https:\/\/vimeo.com\/208542404.<\/p>\n

“Culture Clash\u2019s Totally Fake Latino News.” PBS. Last modified September 23, 2020. https:\/\/www.pbs.org\/video\/culture-clashs-totally-fake-latino-news-gg5z5b\/.<\/p>\n

Culture Clash, \u201c Mex-men\u201d Vimeo, 1993, 42:18 https:\/\/vimeo.com\/208542404.<\/p>\n

“Culture Clash Compilation.” Vimeo, 2017, https:\/\/vimeo.com\/208542404.<\/p>\n

“Richard Montoya: 25 Years Of Laughing About Race.” NPR. Last modified August 14, 2009, https:\/\/www.npr.org\/templates\/story\/story.php?storyId=111893905.<\/p>\n

“Wilson’s re-election ads on illegal immigration.” YouTube. Last modified July 15, 2007. https:\/\/www.youtube.com\/watch?v=o0f1PE8Kzng.<\/p>\n

Audio Play<\/strong><\/p>\n

Montoya, Richard, Ric Salinas, and Herbert Siguenza. Chavez Ravine. Directed by Lisa Peterson, Los Angeles: L.A. Theatre Works, 2004. DVD.<\/p>\n

Oral History<\/strong><\/p>\n

Herbert Sig\u00fcenza interviewed by Javier Jara, January 20, 2021, Interview 100 minutes.<\/p>\n

Ric Salinas interviewed by Javier Jara, January 27, 2021, Interview 87 minutes.<\/p>\n

Ric Salinas interviewed by Javier Jara, January 29, 2021, Interview 150 minutes.<\/p>\n

Book<\/strong><\/p>\n

Montoya, Salinas, Siguenza, Salinas, Ricardo, Siguenza, Herbert, and Culture Clash. Culture Clash: Life, Death, and Revolutionary Comedy. New York: Theatre Communications Group, 1998. Primary Sources<\/p>\n

Culture Clash. Culture Clash in \u201cCarpa Clash\u201d playbill. CSUN. 1993.<\/p>\n

https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/95\/rec\/3<\/p>\n

\u2014 Olmos J Edward, Santana Carlos, \u201cCulture Clash\u2019s Cinco de Mayo Special\u201d Script, January 8, 1992.<\/p>\n

\u2014, \u201cLatino Vote 92,\u201d Southwest Voter Registration Education Project, 1992.<\/p>\n

\u2014, \u201c Los Tres Locos\u201d Script, May,17 1995.<\/p>\n

\u2014, \u201c Los Angeles.\u201d Photograph, 1990.<\/p>\n

\u2014, \u201c Television show ratings\u201d Fox Television, Flyer. 1992-1994.<\/p>\n

\u2014,Culture Clash in S.O.S. postcard, CSUN. July 9, 1992.<\/p>\n

https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/110\/rec\/9<\/p>\n

\u2014. \u201cChavez Ravine\u201d playbill. CSUN. 2003.<\/p>\n

https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/136\/rec\/6<\/p>\n

\u2014. \u201cA playbill from the attic of “The Mission” by Culture Clash\u201d. CSUN. 1988.<\/p>\n

https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/78\/rec\/8<\/p>\n

\u2014. Playbill from The Mission for the Los Angeles Theater. CSUN. 1990.<\/p>\n

https:\/\/digital-library.csun.edu\/culture-clash\/mission<\/p>\n

\u2014. \u201cAmerican Border Gladiators sign\u201d CSUN. 1993.<\/p>\n

https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/200\/rec\/30<\/p>\n

\u2014.Culture Clash in “Bordertown,” San Diego Repertory Theater’s handbill CSUN.1998. https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/111\/rec\/4<\/p>\n

\u2014. Draft script of “The Mission”. CSUN. September 8, 1988.https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/75\/rec\/17<\/p>\n

\u2014, \u201c Valet Symphony\u201d script, May 17, 1995.<\/p>\n

Gomez, Ignacio. \u201cA Bowl of Being\u201d print. CSUN Archive. 1992. https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/100\/rec\/1<\/p>\n

Montoya, Richard. “Chicanos in Hollywood.” CSUN. Last modified January 28, 1995.<\/p>\n

\u2014. \u201cAltar for Ric Salinas.\u201d CSUN. September 1989https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/126\/rec\/51<\/p>\n

\u2014. The Mission playbill. August 1989.<\/p>\n

\u2014, \u201cBig Top Locos – Cypress Hill Rage Against the Machines FOBIA\u201d, October 22, 1994.<\/p>\n

Salinas, Ric, \u201cAqui se venden mapas\u201d Script.<\/p>\n

\u2014, \u201cBrownface\u201d,Photograph. No date.<\/p>\n

\u2014, \u201cBernabe\u201d article, August 2, 1985.<\/p>\n

\u2014, \u201cCulture Clash Montage.\u201d, Photograph. No date.<\/p>\n

\u2014, \u201cComedy Troupe the Most Hilarious\u201d, Photograph. No date.<\/p>\n

\u2014, \u201cCulture Clash with taped mouths\u201d, Photograph. No date.<\/p>\n

\u2014, \u201cCaravan to El Salvador\u201d Tickets, January 29.<\/p>\n

\u2014, \u201cDare To Live !, Si Se Puede.\u201d Script, October 15, 1987.<\/p>\n

\u2014, \u201cEl Sol de San Diego-Salinas Interview.\u201d, Article, December 17, 1992.<\/p>\n

\u2014, \u201cKultcha,\u201d, California License Plate, June 2000.<\/p>\n

\u2014, \u201cM.C. Gordo Rap\u201d Script. No date.<\/p>\n

\u2014, \u201cMan\u2019s humor survives scrape with death\u201d The Californian. No date<\/p>\n

\u2014, \u201cProfile Ricardo \u201cslick ric\u201d Salinas.\u201d Resume.<\/p>\n

\u2014, \u201cPromo for Culture Clash: Creative notes.\u201d. No date.<\/p>\n

\u2014, \u201cRick Salinas-head shot.\u201d No date.<\/p>\n

\u2014, \u201cRic\u2019s Benefit,\u201d October 30, 1989.<\/p>\n

\u2014, \u201cReflections-Excerpt from “Bowl of Beings.”: Monologue, July 23,1991.<\/p>\n

\u2014, \u201cSoldado Razo Lowrider -El Teatro Campesino\u201d magazine, June 1985.<\/p>\n

\u2014, \u201cSalsa Goes to Hollywood-MC\u201d \u201cSlick Ric ” January 26,1985.<\/p>\n

\u2014. “20th Century Fox-group headshots: publicity.” Photograph. CSUN. No date.<\/p>\n

\u2014, \u201c Una Noche del Teatro `95\u201d article, July 21,1995.<\/p>\n

\u2014, \u201cUntitled -Story Idea by Ric Salinas\u201d Script, January 15, 1991 .<\/p>\n

\u2014, \u201cTeatro Campesino actor injured in SF shooting.” CSUN. September 8, 1989. https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/122\/rec\/19<\/p>\n

\u2014, \u201cTotem pole formation\u201d photograph. No date.<\/p>\n

\u2014. “This is For My Pansa.” CSUN. No date.<\/p>\n

\u2014, \u201c Vatos in da hood\u201d Script. No date.<\/p>\n

\u2014, \u201c Videomania\u201d Script. No date.<\/p>\n

Sig\u00fcenza, Herbert, \u201cComedy Troupe-history and context\u201d press release, No date.<\/p>\n

\u2014, \u201cEl Gran Robo,\u201d. Aztlan Mexico, Flyer, February 2. No date.<\/p>\n

\u2014, \u201cFox Television Show – TV Times\u201d, article, November 28-December 4, 1993.<\/p>\n

\u2014, \u201cFox Television Show – Workshop\u201d flyer, August 29, September 5.<\/p>\n

\u2014, \u201cHerbert as Julio Iglesias – Viva Chicano Festival\u201d, Photograph, 1986-1987.<\/p>\n

\u2014, \u201cHerbert as Michael Jackson\u201d, Photograph, 1985.<\/p>\n

\u2014, \u201cHerbert as Mick Jagger\u201d, Photograph, 1985.<\/p>\n

\u2014, \u201cHerbert as Prince\u201d, Photograph, 1985.<\/p>\n

\u2014, \u201cLa Opinion – Panorama\u201d, article, November 12, 1991.<\/p>\n

\u2014. “McCartney and Lennon, Where’s Ringo.” Photograph. CSUN.<\/p>\n

\u2014, \u201cSan Jose – Culture Clash\u201d , Photograph, 1984.<\/p>\n

\u2014, \u201cSmith, Roger Guenveur (director of Radio Mambo) – Culture Clash Returns,\u201d Photograph, September 21, 1997.<\/p>\n

\u2014,”A Benefit for “Slic Ric” of Culture Clash”. CSUN Archive. Last modified October 1, 1989. https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/125\/rec\/50.<\/p>\n

\u2014, \u201cStand and Deliver Pizza\u201d Manuscript. CSUN. 1992.<\/p>\n

https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/104\/rec\/12<\/p>\n

\u2014, \u201cStand and Deliver Pizza\u201d Sketch. CSUN. 1992. https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/105\/rec\/13<\/p>\n

\u2014. \u201cTribute for Jos\u00e9 Antonio Burciaga – With their father,s\u201d Photograph, 1996.<\/p>\n

\u2014, \u201cTeleGuia – Vea El Especial De Julio Iglesias En Espa\u00f1a\u201d, February 1990.<\/p>\n

\u2014. \u201cThe return of Che\u201d Manuscript.CSUN. 1992. https:\/\/digital-collections.csun.edu\/digital\/collection\/LatinoArchives\/id\/102\/rec\/10<\/p>\n

\u2014, \u201cMontoya, Richard as Jesus.\u201d Photograph. No date.<\/p>\n

\u2014, \u201cUmbrella, Chair, and Telephone – Culture Clash,\u201d Photograph, 1985.<\/p>\n

 <\/p>\n

Secondary Sources<\/strong><\/p>\n

Arrellano,Gustavo. \u201cI don\u2019t call myself Latinx, but the conservative war against it is ludicrous.\u201d Los Angeles Times, February 15, 2023.<\/p>\n

Aparicio, Frances R. \u201cJennifer as Selena: Rethinking Latinidad in Media and Popular Culture.\u201d Latino studies 1, no. 1 (2003): 90\u2013105.<\/p>\n

Bailey, Constance. “Fight the Power: African American Humor as a Discourse of Resistance.” The Western Journal of Black Studies 36, no. 4 (2012): 253-63.<\/p>\n

Carrillo, Sean. \u201c\u00a1Tenemos Asco! An Oral History of the Chicano Art Group.\u201d Frieze, Issue 224, January 4, 2022.<\/p>\n

Dorinne Kondo. 2000. \u201c(Re)Visions of Race: Contemporary Race Theory and the Cultural Politics of Racial Crossover in Documentary Theatre.\u201d Theatre Journal (Washington, D.C.) 52 (1): 81\u2013107. https:\/\/doi.org\/10.1353\/tj.2000.0013.<\/p>\n

Garc\u00eda, David Gumaro. The Evolution of a Critical Race Theater: Culture Clash and Chicana\/o Performance Art, 1965-2005. University of California, Los Angeles, 2006.<\/p>\n

Garc\u00eda, David G. 2008. \u201cCulture Clash Invades Miami.\u201d Qualitative Inquiry 14 (6): 865\u201395. https:\/\/doi.org\/10.1177\/1077800408318305.<\/p>\n

Glenn, Antonia Nakano. 2005. \u201cCasting Themselves: Culture Clash and the Comedy of Resistance.\u201d Contemporary Theatre Review 15 (4): 413\u201326. https:\/\/doi.org\/10.1080\/10486800500280438.<\/p>\n

Gonzales, Manuel G. Mexicanos: a History of Mexicans in the United States. Third edition. Bloomington, IN: Indiana University Press, 2019.<\/p>\n

Herrera, Patricia. 2017. \u201cBuilding Latinidad, Silencing Queerness: Culture Clash’s Nuyorican Stories.\u201d Theatre Topics 27 (1): 71\u201382<\/p>\n

Holmes, Seth M. \u201c\u2018Is It Worth Risking Your Life?\u2019: Ethnography, Risk and Death on the U.S.\u2013Mexico Border.\u201d Social Science & Medicine (1982) 99 (2013): 153\u2013161.<\/p>\n

Huerta, Jorge A. \u201cThe Campesino\u2019s Early Actos as Templates for Today\u2019s Students.\u201d Latin American Theatre Review 50, no. 1 (2016): 133\u2013145.<\/p>\n

Jacobs, Elizabeth. 2007. \u201cThe Theatrical Politics of Chicana\/Chicano Identity: From Valdez to Moraga.\u201d New Theatre Quarterly 23 (1): 25\u201334<\/p>\n

Jennifer Kim. “Racism’s Back Door: A Mixed-Methods Content Analysis of Transformative Sketch Comedy in the US from 1960-2000.” Journal of Ethnic and Cultural Studies 7, no. 3 (2020): 142-62.<\/p>\n

Lucas, Ashley E. 2018. Chavez Ravine: Culture Clash and the Political Project of Rewriting History.\u201d Theatre History Studies 37: 279\u2013359.<\/p>\n

Monaghan, Constance. 1998. \u201cMambo Combo: The Smoldering Comedy Ensemble Culture Clash Celebrates 14 Years of Togetherness by Dining Out on Hollywood Offers and Updating a Greek Classic.\u201d American Theatre 15 (3): 10\u201314.<\/p>\n

Rom\u00e1n, David. 1997. \u201cLatino Performance and Identity.\u201d Aztl\u00e1n 22 (2): 151.<\/p>\n

Rossing, Jonathan P. \u201cCritical Race Humor in a Postracial Moment: Richard Pryor\u2019s Contemporary Parrhesia.\u201d The Howard Journal of Communications 25, no. 1 (2014): 16\u201333.<\/p>\n

Sloan, Dennis. From La Carpa to the Classroom: The Chicano Theatre Movement and Actor Training in the United States, Chapter 1: 76, 2020.<\/p>\n

Sol\u00f3zano-Thompson, Nohemy. \u201cBeing Edward James Olmos: Culture Clash and the Portrayal of Chicano Masculinity.\u201d Studies in 20th & 21st Century Literature 32, no. 2 (2008)<\/p>\n

Vargas, Zaragosa. Crucible of Struggle: a History of Mexican Americans from Colonial Times to the Present Era \/ Zaragosa Vargas, University of North Carolina, Chapel Hill. Second edition. New York: Oxford University Press, 2017.<\/p>\n

Weinstein, Steve. “Culture Clash\u2019s Sitcom Saga : Television: The comedy trio\u2019s failed attempt to launch a prime-time comedy series illustrates some of the obstacles facing Latinos, they contend.” Los Angeles Times, January 8, 1992.<\/p>\n

Wetterberg, Lyndsey L. 2012. \u201cDeconstructing \u201cChappelle’s Show\u201d: Race, Masculinity, and Comedy as Resistance\u201d. ProQuest Dissertations Publishing.<\/p>\n

Yosso, Tara J, and Garc\u00eda, David G. 2007. \u201c’This Is No Slum!’ A Critical Race Theory Analysis of Community Cultural Wealth in Culture Clash’s Chavez Ravine.\u201d Aztl\u00e1n 32 (1): 145.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bibliography Primary Sources Video\/Digital Recordings Culture Clash, \u201cAmerican Border Gladiator\u201d Vimeo, 1993, 2:37 https:\/\/vimeo.com\/208542404. Culture Clash, \u201cBernando the Dinosaur,\u201d Vimeo, 1993, 45:53 https:\/\/vimeo.com\/208542404. “Culture Clash\u2019s Totally Fake Latino News.” PBS. Last modified September 23, 2020. https:\/\/www.pbs.org\/video\/culture-clashs-totally-fake-latino-news-gg5z5b\/. Culture Clash, \u201c Mex-men\u201d Vimeo, 1993, 42:18 https:\/\/vimeo.com\/208542404. “Culture Clash Compilation.” Vimeo, 2017, https:\/\/vimeo.com\/208542404. “Richard Montoya: 25 Years Of […]<\/p>\n","protected":false},"author":21,"featured_media":0,"parent":0,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-221","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wp.csusm.edu\/cultureclash\/wp-json\/wp\/v2\/pages\/221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.csusm.edu\/cultureclash\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.csusm.edu\/cultureclash\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.csusm.edu\/cultureclash\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.csusm.edu\/cultureclash\/wp-json\/wp\/v2\/comments?post=221"}],"version-history":[{"count":0,"href":"https:\/\/wp.csusm.edu\/cultureclash\/wp-json\/wp\/v2\/pages\/221\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp.csusm.edu\/cultureclash\/wp-json\/wp\/v2\/media?parent=221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}